So early on in life I created an identity of someone who would never be good at tech, as I truly believed I was not capable of it.

I was really bad at school and as a dyslexic girl, STEM subjects were never something that was encouraged, and never even felt like a possibility for someone like me. “Another thing that made me excited about music tech and production was how suddenly it felt easy to me. It never even felt like a possibility for someone like me I truly believed I was not capable of it But after seeing electronic musicians express a level of freedom and exploration in their music-making, I was instantly hooked. I am neurodivergent, which means that some of the rules of classical music world did not really suit me, and I never felt like I suited it. Suddenly I felt like I found music that I could relate to. “I worked in underground bars and clubs, where I was introduced to the world of electronic music. I am originally from Finland, but when I was 21 years old, I went travelling and found myself in Glasgow. But this was mostly just classical music. This meant years of choirs, orchestras and music-filled days all the way to my twenties. “I have done music all my life, starting with violin at the age of five and going to music oriented schools.

How did you get involved with music tech and music production initially? We caught up with Liina to find out more about her journey towards becoming a synthfluencer, her affinity for Ableton and the challenges she’s faced as a woman in the music tech industry.

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